I hope everyone had a delightful Christmas, as I hope that everyone, Christian or not, is able to enjoy the candy and camaraderie and carols and so on. In this sequel of sorts to last week's post, I address what is widely recognized as a great era for music. The music of every decade prior to the 2010s has its own unique qualities, so it's hard to pick a favorite, but if I have to, it's the eighties. They make me nostalgic for a time I never lived in. Plenty of eighties songs are still loved and repeated, but for unclear reasons, other equally good ones have fallen out of favor and collective memory. I've never heard any of these on a classic hits station even though most of them were rather successful at the time of release. In theory, sharing videos like this instead of writing posts from scratch saves precious vacation time that could be better used to try to get into graduate school and hunt Gold Skulltulas.
The Nick Straker Band - A Little Bit of Jazz
We're starting off with something very clever; a song about jazz that isn't a jazz song, as far as I know. I don't know much about music genres or terminology, I just know what I like, but I'm pretty sure this isn't jazz. No further comment, unless "jazz" is actually a euphemism for some kind of drug or weird sex thing, in which case please don't tell me because I don't want to know.
Red Rider - Lunatic Fringe
A song of defiance against anti-Semitism, which not only hasn't become irrelevant almost forty years later, but also has vague enough lyrics to encompass the various other forms of bigotry that have experienced a resurgence in the Western world in recent years.
Eurythmics - Never Gonna Cry Again
The vast majority of Eurythmics songs are underrated. In my opinion their biggest hit, "Sweet Dreams (Are Made of This)", isn't even in the top five. So it was no easy task to select just one to showcase here, but I settled on the one that was the catalyst for me buying their debut album which was the catalyst for me buying more of their albums. Their debut album was their least successful, but its unique and cool experimental sound makes it my favorite.
Shakatak - Night Birds
An instrumental, electronic version of this song was the demo on a few varieties of Casio keyboard, including the one my parents used to keep under their bed. I yearned for those moments when they let me take it out and push the special button to set it off. As an adult I found the demo online, but stupidly never considered that it might be a real song, until one evening when I was reading "Here There Be Robots" and letting YouTube play in the background and recognized a melody that made me stop in my proverbial tracks.
Goanna - Solid Rock
A better-known song in Australia, but most of my audience isn't in Australia. It's about the invasion of Australia by Europeans, which I think is a bit harsh since most of the Europeans who settled Australia weren't there voluntarily, but it's touching regardless. Much to the writer's chagrin, in recent years some Australians of European descent used his song to take a stand against the "invasion" of Australia by Muslims. It's comforting to know that the United States doesn't have a monopoly on worthless bigots.
L.B. Rayne - Indiana Jones
A rejected theme song for "Indiana Jones and the Temple of Doom". Okay, it's actually a joke song made in 2008, but it's more eighties than the eighties so I give it an honorable mention. I'd just as soon play along with the joke and not admit that, but then I'm afraid people would assume I'm stupid.
Baltimora - Tarzan Boy
No comment necessary. (Insert your own quip about none of my comments being necessary here.)
A-ha - The Sun Always Shines on T.V.
Once upon a time, two songs from the same album rose to great prominence. As the years went by, however, one remained prominent while the other fell into relative obscurity. The former is "Take On Me" and the latter is this one. While I can't bring myself to say that the godlike masterpiece of "Take On Me" is overplayed, since I doubt such a thing is possible, I wish the powers that be would spare just a bit of that time for its underrated brother. Until then, it's just another victim of Luigi Syndrome.
Animotion - Stealing Time
For some reason, the album is titled "Strange Behavior" while the song from which it presumably borrows that title is titled "Strange Behaviour". But I haven't chosen that song anyway, because it's not even one of the better ones on this great album. I recommend this entire great album, but you won't find it on Spotify because something something record label bullcrap.
Depeche Mode - Strangelove
I pronounce it "duh-PAY-chay mode". If that's wrong, please don't tell me because I don't want to know. This song has nothing to do with the classic Peter Sellers film of a similar name, but when said film gets its inevitable remake, this song had better be in it or the director should never be allowed to work in Hollywood again.
Icehouse - Electric Blue
Another Australian song, but with no overt Australian themes (unlike Icehouse's other really great song, "Great Southern Land", which is basically an unofficial national anthem). It gets ten billion points for not rhyming "on my knees" with some variation of "begging please", and another ten billion points for this guy's hair. I'm tempted to grow my hair out just like it, but that's a big decision to make. I need to mullet over for a while.
Information Society - What's On Your Mind (Pure Energy)
Information Society is one of the most underrated bands of all time, with at least a dozen songs that deserve to be a lot more popular than they are. This one showcases their fondness for irrelevant Star Trek dialogue samples. The band's debut album from which it is taken was the only one they released in the eighties. They're more of a nineties band, though they started making music again a few years ago, I guess because of Trump. Their sound obviously evolved during that time and in this early offering it's at its simplest, but still powerful.
If I think of any more besides the ones from the same artists that I left out to promote diversity, I'll pull a George Lucas and edit this post, but without telling anyone.
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About the Author
C. Randall Nicholson is a white cisgender Christian male, so you can hate him without guilt, but he's also autistic and asexual, so you can't, unless you're an anti-vaxxer, in which case the feeling is mutual. This blog is where he periodically rants about life, the universe, and/or everything.